The Painting Exhibition
The exhibition featured five large visual works, each created with a unique technique using thread-like shavings cut from vinyl records through the lathe-cut process. This discarded material—twisted, uneven, and unpredictable—was transformed into precise, deliberate compositions where organic irregularity met structural order.
Each piece responded to a different facet of Chopin’s music: residual harmonic patterns, faint rhythmic outlines, simmering dynamic tensions, or delicate melodic shadows. The works existed both as independent objects and as visual reverberations of the sonic material present in the installation.
MS-CRN-PO28N22-1 Prelude Op 28 No 22
| MS-CRN-EO25N12-1 | Étude Op 25 No 12 |
| MS-CRN-BO57-1 | Berceuse Op 57 |
| MS-CRN-PO28N20-1 | Prelude Op 28 No 20 |
| MS-CRN-PO28N4-1 | Prelude Op 28 No 4 |
| MS-CRN-PO28N2-1 | Prelude Op 28 No 2 |
| MS-CRN-NO28N1-1 | Nocturne Op 71 No 1 |
| MS-CRN-PO28N9-1 | Prelude Op 28 No 9 |
| MS-CRN-PO28N15-1 | Prelude Op 28 No 15 |